Feeling This – Blink-182
This music video uses several conventions first of all it starts of with a narrative. It is opened with 5 close up’s differentiated by the 30 degree angle convention of different young males all having their heads shaven in the same place. The close up’s highlight the disdained emotions of the characters as the audience can infer its against their will as the mise en scene has bar’s in the background which is code for imprisonment and disregard for liberty.
The idea of this hegemonic community is then carried on in the next scene. The scene uses all the conventions of a prison with all the young prisoners locked up fighting to break free from the bars whilst they are separated from young females who are also dressed in identical clothing made to walk in two orderly lines. The camera shows this from a high angle shot which the audience can decode as the young prisoners being monitored as it gives a CCTV impression.
The next scene uses a long shot to focus the audience on the body language on the next two characters shown, an elderly man and the young prisoner. The elderly man is clearly in charge as his body language is controlling and forceful over the young man. This gives the audience clues on who the people are who are keeping the young characters to adhere to this ideological lifestyle.
Another convention of a music video Vernallis states is “quick cutting or editing on the beat” which this music video adheres to and the musicians are first shown in sync with the first proper drum beat and the start of the lyrics. The camera has focuses and zooms on the instruments and the musicians this shows that the music is important to their persona however they still want to promote their message through the narrative as qualities of the mise en scene is included in their part of the video by the fences and even show’s their personality from the comical props of large inflatable toys in the background. The audience could infer that this is code for what the elderly generation are trying to separate the younger generation from, that their trying to get them to adhere to their personal ideology.
The totalitarian lifestyle for the younger generation is continued through out the video and the characters demonstrate that their actions have to all be done in unitary in an orderly fashion. Low angle shots are shown of the elderly characters to show that they are in power and the zoom on their face is meant to show the angry emotion that is intended to be reflected towards the younger generation.
The whole narrative could be decoded as the feeling of the young generation being felt like they are being tied down by the way the older generation treats them signified through elements of the mise en scene of including the jail setting, the uniform and routines they are made to do by the superior authority.
As the young prisoners start to rebel a vary of things start to change. First the threatening camera angle starts to change, instead low angle point of view shots, it begins to level out and through a series of cuts develops in to a high angle shot representing the power they’ve gained over the authority.
Another code to show the breaking away from the authority is signified by the removing of clothes. This works in two ways. One is that it’s a classic stereotype of being naked that it signifies freedom, another is that they are removing the signs of conforming to the authority as they were all made to wear the same uniform.
In addition actions like climbing over the fences indicates also the freedom as they’re breaking down and ignoring the restrictions. The rebellion is also shown through the destruction of the mise en scene for example throwing down the lockers, props being thrown etc.
Ultimately the definitive sign of their freedom is shown when the narrative world and the bands world are fused together, view points from the crowd are engaging the audience in the video. This can be decoded as that the band are a symbol for freedom and liberty.